Kansas City jazz : from ragtime to bebop : a history / Frank Driggs and Chuck Haddix 6

By: Driggs, Frank 4 0 16, [, ] | [, ] |
Contributor(s): 5 6 [] |
Language: Unknown language code Summary language: Unknown language code Original language: Unknown language code Series: ; Oxford ;;New York : Oxford University Press, [2005]46Edition: Description: 25 cm. xi, 274 pages : illustrationsContent type: text Media type: unmediated;unmediated Carrier type: volumeISBN: 0195047672;9780195047677ISSN: 2Other title: 6 []Uniform titles: | | Related works: 1 40 Haddix, Chuck 6 []Subject(s): -- 2 -- 0 -- -- | -- 2 -- 0 -- 6 -- | 2 0 -- | -- -- 20 -- | | -- -- History and criticism Jazz -- Missouri;Kansas City -- 20 -- | -- -- -- 20 -- --Genre/Form: -- 2 -- Additional physical formats: DDC classification: | 781.65/09778/411 LOC classification: | ML3508.8.K37 | D75 20052Other classification:
Contents:
Tales from Tom's town -- Carrie's gone to Kansas City -- Get low-down blues -- The territories -- Blue devil blues -- Moten's swing -- Until the real thing comes along -- Roll 'em, Pete -- Hootie blues
Action note: In: Summary: In this history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz. Readers will find a vibrant portrait of old Kaycee itself, back then a neon riot of bars, gambling dens, and taxi dance halls, all ruled over by Boss Tom Pendergast, who had transformed a dusty cowtown into the Paris of the Plains. We see how this wide-open, gin-soaked town gave birth to a music that was more basic and more viscerally exciting than other styles of jazz, its singers belting out a rough-and-tumble urban style of blues, its piano players pounding out a style later known as boogie-woogie. We visit the great landmarks, like the Reno Club, the Biggest Little Club in the World, where Lester Young and Count Basie made jazz history and Charlie Parker began his musical education in the alley out back. And of course the authors illuminate the lives of the great musicians who made Kansas City swing, with engaging profiles of jazz figures such as Mary Lou Williams, Big Joe Turner, Jimmy Rushing, and Andy Kirk and his Clouds of Joy. Here is the definitive account of the raw, hard-driving style that put Kansas City on the musical map. It is a must read for everyone who loves jazz or American music history.--Jacket Other editions:
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Circulation-Circulating ML3508.K37 D75 2005 (Browse shelf) Available C37315
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56

Includes bibliographical references and index

Tales from Tom's town -- Carrie's gone to Kansas City -- Get low-down blues -- The territories -- Blue devil blues -- Moten's swing -- Until the real thing comes along -- Roll 'em, Pete -- Hootie blues

5

In this history, Frank Driggs and Chuck Haddix range from ragtime to bebop and from Bennie Moten to Charlie Parker to capture the golden age of Kansas City jazz. Readers will find a vibrant portrait of old Kaycee itself, back then a neon riot of bars, gambling dens, and taxi dance halls, all ruled over by Boss Tom Pendergast, who had transformed a dusty cowtown into the Paris of the Plains. We see how this wide-open, gin-soaked town gave birth to a music that was more basic and more viscerally exciting than other styles of jazz, its singers belting out a rough-and-tumble urban style of blues, its piano players pounding out a style later known as boogie-woogie. We visit the great landmarks, like the Reno Club, the Biggest Little Club in the World, where Lester Young and Count Basie made jazz history and Charlie Parker began his musical education in the alley out back. And of course the authors illuminate the lives of the great musicians who made Kansas City swing, with engaging profiles of jazz figures such as Mary Lou Williams, Big Joe Turner, Jimmy Rushing, and Andy Kirk and his Clouds of Joy. Here is the definitive account of the raw, hard-driving style that put Kansas City on the musical map. It is a must read for everyone who loves jazz or American music history.--Jacket

5

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