What cinema is! : Bazin's quest and its charge / Dudley Andrew. 6
By: Andrew, Dudley, 4 0 16 [, ] | [, ] |
Contributor(s): 5 6 [] |
Language: Unknown language code Summary language: Unknown language code Original language: Unknown language code Series: ; Blackwell manifestosChichester, West Sussex, UK :; Wiley-Blackwell, ©201046Edition: Description: 23 cm. xxvii, 152 pages : illustrationsContent type: text Media type: unmediated Carrier type: volumeISBN: 9781405107600 (paperback : alk. paper)ISSN: 2Other title: 6 []Uniform titles: | | Subject(s): -- 2 -- 0 -- -- | -- 2 -- 0 -- 6 -- | 2 0 -- | -- -- 20 -- | | -- -- Philosophy. Motion pictures -- -- 20 -- | -- -- -- 20 -- --Genre/Form: -- 2 -- Additional physical formats: DDC classification: | 793.01 Ad82w 2010 LOC classification: | PN1995 | .A525 20102Other classification: 24.31| Item type | Current location | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|---|
| Book | PLM | PLM Circulation Section | Circulation-Circulating | 793.01 Ad82w 2010 (Browse shelf) | Available | C36480 |
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| 792.807 P854d Dance imagery for technique and performance / | 792.80834 C756t Teaching children dance / | 792.82 M668c Choreography : a basic approach using improvisation / | 793.01 Ad82w 2010 What cinema is! : Bazin's quest and its charge / | 793.320924 So68l Looking back in wonder : diary of a dance critic / | 794.81526 H214b 2010 Beginning game programming / | 796 D842 Drugs in sport / |
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Includes bibliographical references and index.
Prologue: the target of film theory -- The camera searching in the world -- Is a camera essential? -- The Cahiers axiom -- Tracing Bazin's trace -- Images contested today -- The editor's discovery of form -- Bazin's forerunners -- Documentaries in the cauldron of history -- The Cahiers line -- Pursuing cinema in the twenty-first century -- The projector as spectator's searchlight -- The power of projection -- Opening the screen's dimensions -- Frame as threshold -- Writing out of the frame -- The evolution of the subjects of cinema -- Modern film: between classic and avant-garde -- The ontogeny of cinema -- Credits and auteurs: an ecology of adaptation -- Fidelity: the economy of adaptation.
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