A future for criticism / Catherine Belsey. 6

By: Belsey, Catherine. 4 0 16, [, ] | [, ] |
Contributor(s): 5 6 [] |
Language: Unknown language code Summary language: Unknown language code Original language: Unknown language code Series: ; Blackwell manifestosChichester, West Sussex, UK : Wiley-Blackwell, ©201146Edition: Description: 23 cm. xv, 143 pagesContent type: text Media type: unmediated Carrier type: volumeISBN: 9781405169561 (paperback : alk. paper)ISSN: 2Other title: 6 []Uniform titles: | | Related works: 1 40 6 []Subject(s): -- 2 -- 0 -- -- | -- 2 -- 0 -- 6 -- | 2 0 -- | -- -- 20 -- | | -- -- History and criticism;Theory, etc. Fiction;Criticism. -- -- 20 -- | -- -- -- 20 -- --Genre/Form: -- 2 -- Additional physical formats: DDC classification: | 809.3 B419f 2011 LOC classification: | PN3331 | .B35 20112Other classification:
Contents:
Machine generated contents note: 1.Pleasure: Have we neglected it? Fiction for pleasure The case of tragedy The English curriculum Cries of joy `Aesthetic' pleasure The Pleasure of the Text Modernist unpleasure Gaiety 2.Piety: Haven't we overdone it? Criticism on the defensive Classic defences The advent of theory Law The superego Neurosis Complacency Culture and Anarchy Artefacts and pleasure Critical writing 3.Biography: Friend or foe? Life and art Biography in theory What the authors say New Historicism Shakespeare's life Fact or fiction? Shakespeare's memory Romance The death of the reader 4.Realism: Do we overrate it? A disputed value The default genre Imitation Insight Totalization Suspicion Objections The radical view Recuperation A counter-example 5.Culture: What do we mean by it? Cultural criticism Twin perils Culture as meanings Contents note continued: Meanwhile, in Paris Anthropology Another culture Perils circumvented Work to do 6.History: Do we do it justice? Official usage Cultural difference History and criticism Customary knowledge Dissonance An example The old historicism Criticism as cultural history The uses of criticism Critical skills 7.Desire: A force to reckon with Pleasure revisited Orpheus Loss The desire of the protagonist Stand-ins The desire of the reader The desire of the text Substitution Pacification Defiance Breaking the rules And so... Criticism.
Action note: In: Summary: Other editions:
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56

Includes bibliographical references and index.

Machine generated contents note: 1.Pleasure: Have we neglected it? Fiction for pleasure The case of tragedy The English curriculum Cries of joy `Aesthetic' pleasure The Pleasure of the Text Modernist unpleasure Gaiety 2.Piety: Haven't we overdone it? Criticism on the defensive Classic defences The advent of theory Law The superego Neurosis Complacency Culture and Anarchy Artefacts and pleasure Critical writing 3.Biography: Friend or foe? Life and art Biography in theory What the authors say New Historicism Shakespeare's life Fact or fiction? Shakespeare's memory Romance The death of the reader 4.Realism: Do we overrate it? A disputed value The default genre Imitation Insight Totalization Suspicion Objections The radical view Recuperation A counter-example 5.Culture: What do we mean by it? Cultural criticism Twin perils Culture as meanings Contents note continued: Meanwhile, in Paris Anthropology Another culture Perils circumvented Work to do 6.History: Do we do it justice? Official usage Cultural difference History and criticism Customary knowledge Dissonance An example The old historicism Criticism as cultural history The uses of criticism Critical skills 7.Desire: A force to reckon with Pleasure revisited Orpheus Loss The desire of the protagonist Stand-ins The desire of the reader The desire of the text Substitution Pacification Defiance Breaking the rules And so... Criticism.

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