Korean pansori as voice theatre : history, theory, practice / Chan E. Park. 6
By: Park, Chan E., 4 0 16 [, author.] | [, ] |
Contributor(s): 5 6 [] |
Language: Unknown language code Summary language: Unknown language code Original language: Unknown language code Series: ; Forms of dramaLondon ;;New York : Methuen Drama, [2023]46Edition: Description: 21 cm. xxi, 229 pagesContent type: text Media type: unmediated;unmediated Carrier type: volumeISBN: 9781350174887ISSN: 2Other title: 6 []Uniform titles: | | Subject(s): -- 2 -- 0 -- -- | -- 2 -- 0 -- 6 -- | 2 0 -- | -- -- 20 -- | | -- -- History and criticism.;Philosophy and aesthetics.;Performance. P'ansori;P'ansori;P'ansori -- -- 20 -- | -- -- -- 20 -- --Genre/Form: -- 2 -- Additional physical formats: Korean pansori as voice theatreDDC classification: | 782.1095195 LOC classification: | ML1751.K7 | P399 20232Other classification:| Item type | Current location | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|---|
| Book | PLM | PLM Circulation Section | Circulation-Circulating | ML1751.K7 .P37 2024 (Browse shelf) | Available | C37254 |
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Includes bibliographical references and index.
Introduction. Orality of Storysinging -- Section I. Technique and Practice of Pansori. Voice, Drum, Listening Ear ; Jangdan, the heartbeats of storytelling -- Section II. Historical Development. 18th-19th century ; Negotiating Dramatic Modernization -- Section III. Beyond the Twentieth Century. Preservation and Reinvention, Mutually ; 'Singing who you are' : an autoethnography -- Conclusion.
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Provided by publisher. This book introduces readers to the historical, performative, and cultural context of pansori, a traditional Korean oral story-singing art. Written by a scholar-practitioner of the form, this study is structured in three parts and analyzes its technical, aesthetic, and theoretical components, as well as narrating its origins, historical context and subsequent development, and its preservation and reinvention from the 20th century to today. Drawing on her ethnographic work and performance practice, Chan E. Park interweaves expert knowledge of both the textual and performative aspects of the form--
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