Conducting music today / Bruce Hangen. 6

By: Hangen, Bruce, 4 0 16, [, author] | [, ] |
Contributor(s): 5 6 [] |
Language: Unknown language code Summary language: Unknown language code Original language: Unknown language code Series: ; Boston, MA :;Milwaukee, Wisconsin : Berklee Press,;Distributed by Hal Leonard [2020];copyright 202046Edition: Description: 1 online resource (1 video file) 31 cm + viii, 193 pages : illustrations, musicContent type: text Media type: unmediated Carrier type: volumeISBN: 9781495097911ISSN: 2Other title: 6 []Uniform titles: | | Related works: 1 40 6 []Subject(s): -- 2 -- 0 -- -- | -- 2 -- 0 -- 6 -- | 2 0 -- | -- -- 20 -- | | -- -- Instruction and study. Conducting -- -- 20 -- | -- -- -- 20 -- --Genre/Form: -- 2 -- Additional physical formats: DDC classification: | 781.45 LOC classification: | MT85 | .H36 20202Other classification:
Contents:
Part I. Conducting technique. Sect. A. The basics. posture ; The baton ; The other hand ; Field of motion ; The podium ; Beat patterns ; The ictus ; The preparation for any beat ; Cutoffs and rests ; Preparing the score ; Cueing/serving the musicians ; Recitative/narrative/open measures -- Sect. B. Technique musically manifested. Every beat is a preparation for the next beat! ; The three stages of conducting maturity ; Less is more ; Conducting style ; Podium presence ; Physical dos and don'ts: a summary -- Sect. C. Real world principles. Time ; Always, sometimes, never ; Leadership ; On being musical ; Working with others ; Different disciplines ; Rehearsal practices ; Relating to your musicians ; Big rocks/little rocks ; Are you the horse? -- Part II. Technical suggestions in standard repertoire. Beethoven, Egmont overture, measures 1-16 ; Beethoven, Symphony no. 1, Fourth movement: measures 1-14 and measures 225-248 ; Beethoven, Symphony no. 5, First movement: measures 1-7 ; Brahms, Symphony no. 1, Fourth movement: measures 269-289 and 375-391 ; Dvo¿™©Łk, Symphony no. 9, Second movement: measures 105-110 ; Mozart, Symphony no. 39, First movement: measures 1-10 ; Rimsky-Korsakov, Capriccio Espagnol, Fourth movement: measures 1-27 ; Tchaikovsky, Capriccio Italien: measures 1-27; measures 275-297 ; Mendelssohn, A midsummer night's dream, Overture: measures 370-404 ; Debussy, Prelude to the afternoon of a faun: measure 86-end -- Part III. Interviews. Peter Boyer ; C. Thomas Brooks ; Jr., Jack Everly ; JoAnn Falletta ; Craig Jessop ; Jonathan McPhee ; John Morris Russell ; Yohei Sato ; Lalo Schifrin ; Madeline Smith ; Thomas Wilkins ; and John Williams
Action note: In: Summary: A guide to motions, cues, patterns and practices used by today's conductors of orchestras, bands, operas, film orchestras, and more. Includes a section of interviews with several top conductors. With an introduction, two appendices, and index. Music examples. Black & white photos. Illustrations. Includes access to online video lessons Other editions:
Tags from this library: No tags from this library for this title. Log in to add tags.
    Average rating: 0.0 (0 votes)
Item type Current location Home library Collection Call number Status Date due Barcode Item holds
Book PLM
PLM
Circulation Section 		Circulation-Circulating MT85 .H36 2020 (Browse shelf) Available C37256
Total holds: 0

HL00237719 Hal Leonard 56

Includes bibliographical references (pages 180-185) and index

Part I. Conducting technique. Sect. A. The basics. posture ; The baton ; The other hand ; Field of motion ; The podium ; Beat patterns ; The ictus ; The preparation for any beat ; Cutoffs and rests ; Preparing the score ; Cueing/serving the musicians ; Recitative/narrative/open measures -- Sect. B. Technique musically manifested. Every beat is a preparation for the next beat! ; The three stages of conducting maturity ; Less is more ; Conducting style ; Podium presence ; Physical dos and don'ts: a summary -- Sect. C. Real world principles. Time ; Always, sometimes, never ; Leadership ; On being musical ; Working with others ; Different disciplines ; Rehearsal practices ; Relating to your musicians ; Big rocks/little rocks ; Are you the horse? -- Part II. Technical suggestions in standard repertoire. Beethoven, Egmont overture, measures 1-16 ; Beethoven, Symphony no. 1, Fourth movement: measures 1-14 and measures 225-248 ; Beethoven, Symphony no. 5, First movement: measures 1-7 ; Brahms, Symphony no. 1, Fourth movement: measures 269-289 and 375-391 ; Dvo¿™©Łk, Symphony no. 9, Second movement: measures 105-110 ; Mozart, Symphony no. 39, First movement: measures 1-10 ; Rimsky-Korsakov, Capriccio Espagnol, Fourth movement: measures 1-27 ; Tchaikovsky, Capriccio Italien: measures 1-27; measures 275-297 ; Mendelssohn, A midsummer night's dream, Overture: measures 370-404 ; Debussy, Prelude to the afternoon of a faun: measure 86-end -- Part III. Interviews. Peter Boyer ; C. Thomas Brooks ; Jr., Jack Everly ; JoAnn Falletta ; Craig Jessop ; Jonathan McPhee ; John Morris Russell ; Yohei Sato ; Lalo Schifrin ; Madeline Smith ; Thomas Wilkins ; and John Williams

5

A guide to motions, cues, patterns and practices used by today's conductors of orchestras, bands, operas, film orchestras, and more. Includes a section of interviews with several top conductors. With an introduction, two appendices, and index. Music examples. Black & white photos. Illustrations. Includes access to online video lessons

5

There are no comments for this item.

to post a comment.

© Copyright 2024 Phoenix Library Management System - Pinnacle Technologies, Inc. All Rights Reserved.