Women as Articulations of Nation - space and an Agency of insularity. 6
By: Katrina Ross A. Tan. 4 0 16 [, ] | [, ] |
Contributor(s): Review of Womens Studies. 20 (1-2) : pp.5-32 5 6 [] |
Language: Unknown language code Summary language: Unknown language code Original language: Unknown language code Series: ; 46Edition: Description: Content type: text Media type: unmediated Carrier type: volumeISBN: ISSN: 2Other title: 6 []Uniform titles: | | Subject(s): -- 2 -- 0 -- -- | -- 2 -- 0 -- 6 -- | 2 0 -- | -- -- 20 -- | | -- -- Pila Balde;Tuhog;Kubrador. Womens as Articulations -- -- -- | -- -- -- 20 -- --Genre/Form: -- 2 -- Additional physical formats: DDC classification: | LOC classification: | | 2Other classification:| Item type | Current location | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|---|
| Book | PLM | PLM Periodicals Section | Periodicals | HQ1180.R325 (Browse shelf) | Available | PER1765A |
ABSTRACT: This essay focuses on three of Jeffrey Jeturians' film: PilaBalde (1999), Tuhog (2001), and Kubrador (2006). It follows Roland Tolentino' analysis of the Brocka films but focuses on the trope of the female characters, as it suggests discussing the films as articulations of the nation-space in which women characters are the primary trope to map the discourse on nation; the analysis emphasizez the intersection of gender and nation. 56
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