Between the walls: the shanty in Hellow, soldier from Lino Brocka's Tatlo, Dalawa, Isa (1974) 6
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Contributor(s): Plaridel.14:1 (January-June 2017). pp. 71-94 5 6 [] |
Language: Unknown language code Summary language: Unknown language code Original language: Unknown language code Series: ; 46Edition: Description: Content type: text Media type: unmediated Carrier type: volumeISBN: ISSN: 2Other title: 6 []Uniform titles: | | Subject(s): -- 2 -- 0 -- -- | -- 2 -- 0 -- 6 -- | 2 0 -- | -- -- 20 -- | | -- -- PHILIPPINE CINEMA;HOUSE SHANTY -- ARCHITECTURE;PHENOMENOLOGY -- -- | -- -- -- 20 -- --Genre/Form: -- 2 -- Additional physical formats: DDC classification: | LOC classification: | | 2Other classification:| Item type | Current location | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|---|
| Book | PLM | PLM Periodicals Section | Periodicals | P92.P6.2017 (Browse shelf) | Available | PER1968K |
ABSTRACT: Hellow, Soldier is the second episode in Lino Brockas Tatlo, dalawa ,Isa (1974). It is set in the slums of post - war Manila and follows a young slum dweller named Gina who lives with her mother, Lucia, as they attempt to work out the knots in thier internal and domestic conflict. This paper attempts to illustrate how the shanty reveals the charaters nature through their use of thier space, which leads to crafting their identity and their perception of society. The study inquires, how does the shanty reflect the charcters self-identity? How do they shape the space in relation to their perception of society?. 56
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