Plantinga, Leon. 4 0

Romantic music : a history of musical style in nineteenth-century Europe / 6 6 Leon Plantinga. - First edition. - - xiii, 523 pages : illustrations, music 24 cm. - - - - - . - The Norton introduction to music history;Norton introduction to music history . - 0 . - . - Norton introduction to music history;Norton introduction to music history 0 .



Includes bibliographical references (p. [463]-508) and index

I. Introduction. Historical background ; Music, patronage, and the public ; The composers training ; musical aethetics ; Historicism in music ; Romantic -- II. Beethoven in Vienna, 1792-1808. Early stylistic growth: piano sonatas ; The String Quartet Op. 18, No. 6 ; The Tempest Sonata ; Op. 31, No. 2 ; The Eroica Symphony ; Fidelio -- III. Beethoven: the late years, 1809-27. Formation of the late style ; The Diabelli Variations ; The Missa solemnis and the Ninth Symphony ; The late quartets ; Contemporary assessment -- IV. Beethoven's contemporaries: instrumental music. Schubert ; Music for piano: Clementi, Dus©Ưk, and Field ; Czerny, Moscheles, Hummel ; Schubert's piano music -- V. The Lied: Schubert and his predecessors. The Berlin school ; Southern Germany and Vienna ; Schubert -- VI. The rise of the nineteenth-century opera. Rossi ; Donizetti and Bellini ; Opera in France ; German romantic opera -- VII. Paris from 1830-1848. Grand Opera ; The virtuosos ; Liszt ; Chopin ; French Romanticism ; Berlioz -- VIII. Schumann and his German contemporaries. Schumann ; Mendelssohn ; Other contemporaries -- IX. Wagner and the music drama. The Ring of Nibelung ; Tristan and Isolde ; Die Meistersinger ; Later triumphs -- X. Italian and French opera in the later nineteenth century. Verdi ; Italian contemporaries and followers ; French opera of the later nineteenth century -- XI. Nationalist music. Hungary ; Bohemia ; Tom©Ł¿Łek and Smetena ; Dvo¿™©Łk ; Poland ; Russia ; Glinka and Dargom©¯zhsky ; The Five ; Musorgsky [Mussorgsky] ; Rimsky-Korsakov ; Tchaikovsky ; Scandinavia ; England ; Spain -- XII. Crosscurrents in the late century. Liszt and the New German School ; Brahms ; Bruckner ; Leipzig ; Paris ; The century's end in Germany and Austria

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