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_aParakilas, James
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240 _s
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245 0 _a
_aPiano roles :
_d
_bthree hundred years of life with the piano /
_n
_cJames Parakilas with E. Douglas Bomberger [and others] ; foreword by Noah Adams
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260 _e
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_aNew Haven [Conn.] :
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_bYale University Press,
_c[1999]46
300 _e
_e
_c26 cm
_ax, 461 pages :
_billustrations
310 _a
_a
_b
321 _a
_a
_b
336 _btxt
_atext
_2rdacontent
337 _3
_30
_bn
_aunmediated;unmediated
_2rdamedia;rdamedia
338 _3
_30
_bnc
_avolume
_2rdacarrier
340 _2
_20
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344 _2
_2
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347 _2
_2
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362 _a
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385 _m
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490 _a
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500 _a
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_c56
504 _a
_aIncludes bibliographical references (pages 433-435) and index
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505 _a
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_t1700 to 1770s : the need for the piano /;Designing, making, and selling pianos /;The player piano /;1770s to 1820s : the piano revolution in the age of revolutions /;The piano lesson /;The metronome /;Le tabouret (the piano stool) /;1820s to 1870s : the piano calls the tune /;The piano tuner /;The image of the composer at the piano /;The concert and the virtuoso /;1870s to 1920s : the world's the limit /;Silent movies with piano /;Hollywood's embattled icon /;1920s to 2000 : new voices from the old impersonator /;Making the piano historical /
_gPreview :;Afterword :
_rJames Parakilas --;Edwin M. Good,;Cynthia Adams Hoover --;Michael Chanan --;James Parakilas,;Gretchen A. Wheelock --;E. Douglas Bomberger [and others] --;Marina Tsvetaeva --;Marina Tsvetaeva --;Charlotte N. Eyerman,;James Parakilas --;James Parakilas --;James Parakilas --;Richard Leppert,;Stephen Zank --;Atsuko Hirai,;James Parakilas --;Michael Chanan --;Ivan Raykoff --;Michael Chanan,;James Parakilas,;Mark Tucker --;James Parakilas
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_aThe piano puts whole worlds of musical sound at the fingertips of one player, evoking the singing of a solo voice, the textural richness of an orchestra, and the rhythmic impetus of a dance band. It has been background or center stage in concertgoing, parlor singing, choir rehearsals, theatrical tryouts, and many other activities, forging a common bond among people of very different social spheres. This delightfully written and copiously illustrated book examines the place of the piano in classical and popular musical cultures and the piano's changing cultural roles over the past three centuries. Eminent authorities discuss the impetus for the invention of the piano; the innovations in its design, manufacturing, and marketing that promoted its growing significance in concert life and domestic life; and the importance of the piano lesson in the upbringing of the young--especially of girls. They explore the relationship between the piano on the public stage and the piano in the parlor; the spread of the piano to all parts of the world; and the images formed around the piano in literature, art, and movies. And they eloquently describe what the piano has meant to different eras, as it evolved from the plaything of European aristocrats to companion of people of all classes and cultures [Publisher description]
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