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_e _e _a9781805392231 _b _z _c _qhardcover _x |
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_e _eauthor. _a Ellerich, Sebastian T., _d _b4 _u _c0 _q16 |
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_a _aMelanesian mainstream : _d _bstringband music and identity in Vanuatu / _n _cSebastian T. Ellerich. _h6 _p |
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_3 _3 _aNew York : _d _bBerghahn, _ccopyright 2024;[2024]46 |
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_e _e _c24 cm. _axiv, 225 pages : _billustrations |
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_b _atext _2rdacontent |
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_3 _30 _b _aunmediated _2rdamedia |
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_3 _30 _b _avolume _2rdacarrier |
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_a _aIncludes bibliographical references and index. _d _b _c56 |
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_a _aIntroduction -- A History of Stringban Miusik in Vanuatu -- Stringban Miusik and Its Musical Characteristics -- Lyrics -- The Music Industry in Vanuatu -- Stringbands as Social Groups -- Conclusion. Vanuatu Stringban Miusik and Other Musics in Oceania. _b _t _g _r |
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_b _b _c _aCitizens of Vanuatu (ni-Vanuatu) perceive stringband music as a marker of national identity, an indicator of their cultural, stylistic, and musical heritage. Through extensive field and ethnographic research, Melanesian Mainstream offers a detailed historical record of the roots, context, evolution, and impact of stringband music. Beyond chronicling the genre's history and cultural significance, this thorough monograph positions the genre's musical hybridity, communal lyrics, and unique organizational structures as key factors in the anthropological understanding of ni-Vanuatu socio-cultural history-- Provided by publisher. _u |
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_x _xHistory and criticism.;History and criticism.;Social aspects _aString band music; Folk music;Music;String bands _d _b _zVanuatu; Vanuatu;Vanuatu.;Vanuatu. _y _2sears;sears;sears;sears0 _v |
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