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_a _aPhilippine Studies: Historical and Ethnographic Viewpoints _b |
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_a _aPatria é intereses Reflections on the Origins and Changing Meanings of Ilustrado. _d _b _n _c _h6 _p |
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_3 _3 _aQuezon City : _d _bAteneo de Manila University, _c201146 |
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_e _e _c _a3 - 54 p. _b |
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_b _atext _2rdacontent |
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_a _aMarch 2011 / volume 59 number 1 _b |
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_a _aABSTRACT : Miguel Syjuco's acclaimed novel Ilustrado (2010) was written not just for an international readership, but also for a Filipino audience. Through an analysis of the historical origins and changing meanings of ilustrado in Philippine literary and nationalist discourse, this article looks at the politics of reading and writing that have shaped international and domestic reception of the novel. While the novel seeks to resignify the hitherto class-bound concept of ilustrado to include Overseas Filipino Workers (OFWs), historical and contemporary usages of the term present conceptual and practical difficulties and challenges that require a new intellectual paradigm for understanding Philippine society. _d _b _c56 |
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_x _xIlustrado _aRizal _d _b _zNovel _yOFW _2sears0 _vNaionalism. |
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_i _i _t _c _b _s1 _q _f _k40 _p _d _e _aCaroline Sy Hau. _l _n6 |
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