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_a _aA Filipino Painter in Paris : Juan Luna in the Field of Cultural Production _d _b _n _c _h6 _p |
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_a _aABSTRACT : Acsdemicism in France was breaking down and Manet had already redefined the criteria of artistic excellence when the Filipino painter Juan Luna won honors in the salons of Madrid and Paris. Luna's paintings reaffirmed the classical norms, and while he introduced innovations that revitalized the Academic style, he never fully committed to impressionism. Occupying therefore a fraught position between traditionalism and experimentalism in a conflictive field of forces that was the art world of late nineteenth-century France and Spain, Luna's work manifested an a accumulating tension that was to lead to personal tragedy toward the end of his life. _d _b _c56 |
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_x _x _aJuan Luna ;Field of Cultural Production _d _b _zPierre Bourdieu _y _2sears;sears0 _v |
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_i _i _t _c _b _s1 _q _f _k40 _p _d _e _aEugenio Matibag _l _n6 |
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_b _b _t _c _e _f _k40 _p _d5 _l _n6 _aPerspectives in the Arts and Humanities Asia. 7:2 (2017).pp. 43-65 |
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