| 000 | 08996nam a2201249Ia 4500 | ||
|---|---|---|---|
| 000 | 07425cam a2200553 i 4500 | ||
| 001 | 90702 | ||
| 003 | 0 | ||
| 005 | 20250920162458.0 | ||
| 008 | 220920t20232023nyuabg b 001 0 eng | ||
| 010 |
_z _z _o _a2022045586 _b |
||
| 015 |
_2 _2bnb _aGBC378137 |
||
| 016 |
_2 _2Uk _a21031072 _z |
||
| 020 |
_e _e _a9780190661960 _b _z _c _qhardback;(epub) _x |
||
| 022 |
_y _y _l _a2 |
||
| 024 |
_2 _2 _d _c _a _q |
||
| 028 |
_a _a _b |
||
| 029 |
_a _a _b |
||
| 032 |
_a _a _b |
||
| 035 |
_a _a.b109209576;(OCoLC)1356032777;(OCoLC)1356032777 _b _z _c _q |
||
| 037 |
_n _n _c _a _b |
||
| 040 |
_e _erda _aDLC _dBDX;UKMGB;OCLCF;PSC;TDF;OCLCL;RES;YDX;OCLCO;AUM;OUN;OCLCQ;OSU;UtOrBLW _beng _cDLC |
||
| 041 |
_e _e _aeng;chi _b _g _h _r |
||
| 042 | _apcc | ||
| 043 |
_a _aa-cc--- _b |
||
| 045 |
_b _b _a |
||
| 049 | _aOSUU | ||
| 050 |
_a _aML336 _d _b.O94 20232 _c0 |
||
| 051 |
_c _c _a _b |
||
| 055 |
_a _a _b |
||
| 060 |
_a _a _b |
||
| 070 |
_a _a _b |
||
| 072 |
_2 _2 _d _a _x |
||
| 082 |
_a _a780.951 _d _b _223/eng/20220920 _c |
||
| 084 |
_2 _2 _a |
||
| 086 |
_2 _2 _a |
||
| 090 |
_a _a _m _b _q |
||
| 092 |
_f _f _a _b |
||
| 096 |
_a _a _b |
||
| 097 |
_a _a _b |
||
| 100 |
_e _e _a _d _b4 _u _c0 _q16 |
||
| 110 |
_e _e _a _d _b _n _c _k |
||
| 111 |
_a _a _d _b _n _c |
||
| 130 |
_s _s _a _p _f _l _k |
||
| 210 |
_a _a _b |
||
| 222 |
_a _a _b |
||
| 240 |
_s _s _a _m _g _n _f _l _o _p _k |
||
| 245 | 0 |
_a _aThe Oxford handbook of music in China and the Chinese diaspora / _d _b _n _cedited by Yu Hui and Jonathan P.J. Stock. _h6 _p |
|
| 246 |
_a _aMusic in China and the Chinese diaspora _b _n _i _f6 _p |
||
| 249 |
_i _i _a |
||
| 250 |
_6 _6 _a _b |
||
| 260 |
_e _e _a _b _f _c _g |
||
| 264 |
_3 _3 _aNew York, NY : _d _bOxford University Press, _c[2023];copyright 202346 |
||
| 300 |
_e _e _c24 cm. _axx, 541 pages : _billustrations, maps, music |
||
| 310 |
_a _a _b |
||
| 321 |
_a _a _b |
||
| 336 |
_btxt _atext _2rdacontent |
||
| 337 |
_3 _30 _bn _aunmediated;unmediated _2rdamedia;rdamedia |
||
| 338 |
_3 _30 _bnc _avolume _2rdacarrier |
||
| 340 |
_2 _20 _g _n |
||
| 344 |
_2 _2 _a0 _b |
||
| 347 |
_2 _2 _a0 |
||
| 362 |
_a _a _b |
||
| 385 |
_m _m _a2 |
||
| 410 |
_t _t _b _a _v |
||
| 440 |
_p _p _a _x _v |
||
| 490 |
_a _aOxford handbooks _x _v |
||
| 500 |
_a _a _d _b _c56 |
||
| 504 |
_a _aIncludes bibliographical references and index _x |
||
| 505 |
_a _aIntroduction. Frames of Reference for the Study of Music in China and Its Diaspora / Yu Hui and Jonathan P.J. Stock -- PART I. NEW DIRECTIONS IN HISTORY AND THEORY. Musical Archaeology and the Prehistory of Chinese Music / Yang Yuanzheng ; Theorizing Natural Sound : Ancient Chinese Music Theory and Its Contemporary Applications in the Study of Guqin Intonation / Yu Hui and Chen Yingshi ; The Huxuan and Huteng Dances : Foreign Musical Dances in Chinese History / Zhao Weiping ; Kunqu from Analytical Perspectives : A Focus on Feng ru song / Kar Lun Alan Lau ; Why and How do Chinese Sing Shijing Songs? / Joseph S.C. Lam ; Music History and Historiography in the Chinese Context / Hon-Lun Helan Yang ; Chinese Music Modernities / Frederick Lau;PART II. MUSIC GENRES AND PRACTICES IN EVOLVING CONTEXTS. Traditional Instruments and Heterophonic Practice / Alan R. Thrasher ; Jiangnan Sizhu in the Greater Suzhou Area : Repertoire, revitalization, and Sustainability / Mercedes M. Dujunco ; Social Change and the Maintenance of Music Tradition Among the Western Yugurs / Du Yaxiong ; The Making of a Musical Community as a Manifestation of Nationalism : The Jinyu Qinshe Society in 1930s China / Yu Hui ; A Multimodal and Interdisciplinary Approach to Luo Yusheng's Video Performance of Choumo yinchu (At Break Of Day) / Francesca R. Sborgi Lawson ; The Emergence of Taiwanese New Xiqu : A Case Study on Chichiao Musical Theater / Hsieh Hsiao-Mei ; Hybridity in the Modern Chinese Orchestral Music (Guoyue) of Taiwan / Ching-Yi Chen ; Trends in the Globalization of Pipa Music / Ben Wu;PART III. CROSS-CUTTING ISSUES IN CONTEMPORARY SETTINGS. Humanism in Red : A New Mainstream Narrative in the Pop Songs of 1980s China / Lijuan Qian ; Staging Race and Sexuality Across Borders : Marketing Pop Singer Coco Lee / Grace Wang ; Re-Imagining China's Women Pianists : Yuja Wang and Zhu Xiao-Mei / Shzr Ee Tan ; Liveness and Mediation in Chinese Art Music : From The Map to The Qingming Festival / Germ©Łn Gil-Curiel ; The Amateur and Professional in Wuhan's Park Pop / Samuel Horlor ; Minorities and the Mainstream : The Musical Place of the Non-Han Peoples in Modern China / Chuen-Fung Wong ; Kita Anak Malaysia (We are the Children of Malaysia) : Performing Multicultural Chinese Identities / Tan Sooi Beng -- Conclusions : New Directions in Chinese Music Research / Jonathan P.J. Stock _b _t _g _r |
||
| 506 |
_a _a5 |
||
| 510 |
_a _a _x |
||
| 520 |
_b _b _cProvided by publisher _aThe Oxford Handbook of Music in China and the Chinese Diaspora comprises twenty-four chapters that collectively provide an innovative vision for Chinese music studies in the twenty-first century. Each chapter advances new research insights into a key musical genre or context in Chinese music, and each develops a theoretical model that is applicable beyond the case study in question. The volume includes significant input from researchers based in China, Taiwan, and across the Chinese diaspora, thus exemplifying a model of collaborative inquiry that prominently features diverse insider voices alongside contributions from authors variously positioned in the anglophone world. The book has three parts. In Part One, chapters explore the extensive, remarkable, and polyvocal historical legacies of Chinese music, ranging from archaeological findings to the ways we write music history, and from the interpretation and reinterpretation of enduring historical practices to the close study of emerging breakpoints that mark the rise of new cultural expressions. Specific topics addressed include music archaeology in the Chinese context, ancient Chinese music theory, the adoption of Barbarian dances in Chinese antiquity, the structure of kunqu opera qupai, the long tradition of Shijing songs, disputes over the writing of Hong Kong's music history, and key turning points in the rise of Chinese musical modernity. Part Two focuses on evolving practice across a spectrum of key instrumental and vocal genres. Each chapter provides a portrait of musical change, tying musical transformations to the social dimensions underpinning it. After an account of heterophony in traditional instrumental ensembles and the creation of revised repertory for such ensembles since the rise of programs of intangible cultural heritage, chapters consider changes in the field of ethnic minority folksong to guqin zither performance, and from musical theatre in Taiwan to the Chinese orchestra and to the pipa lute in the Chinese diaspora. In Part Three, authors take up prominent intersectional issues in the broad field of Chinese music studies. Several chapters are concerned with popular music cultures, exploring race and sexuality, humanism, and political aspiration, and the professional/amateur spectrum. Another looks at the interplay of liveness and mediation in contemporary art music for Western instruments. Two further chapters consider the roles music plays in creating or challenging identities among ethnic minorities within China and among overseas Chinese in Southeast Asia. A final chapter systematizes the contemporary discipline of Chinese music studies as illustrated throughout the volume-- _u |
||
| 521 |
_a _a _b |
||
| 533 |
_e _e _a _d _b _n _c |
||
| 540 |
_c _c _a5 |
||
| 542 |
_g _g _f |
||
| 546 |
_a _aText in English with some Chinese _b |
||
| 583 |
_5 _5 _k _c _a _b |
||
| 590 |
_a _a _b |
||
| 600 |
_b _b _v _t _c2 _q _a _x0 _z _d _y |
||
| 610 |
_b _b _v _t2 _x _a _k0 _p _z _d6 _y |
||
| 611 |
_a _a _d _n2 _c0 _v |
||
| 630 |
_x _x _a _d _p20 _v |
||
| 648 |
_2 _2 _a |
||
| 650 |
_x _xHistory and criticism.;Music;History and criticism. _aMusic;Chinese _d _b _zChina _y2 _0http://id.loc.gov/authorities/subjects/sh93004744 _v |
||
| 651 |
_x _x _a _y20 _v _z |
||
| 655 |
_0 _0 _aCriticism, interpretation, etc. _y _2fast _z |
||
| 700 |
_i _i _t _c(Ethnomusicologist), _b _s1 _q _f _k4 _0http://id.loc.gov/authorities/names/n2022050507;http://id.loc.gov/authorities/names/n96058028 _p _d1963- _eeditor.;editor. _aHui, Yu;Stock, Jonathan P. J., _l _n6 |
||
| 710 |
_b _b _t _c _e _f _k40 _p _d5 _l _n6 _a |
||
| 711 |
_a _a _d _b _n _t _c |
||
| 730 |
_s _s _a _d _n _p _f _l _k |
||
| 740 |
_e _e _a _d _b _n _c6 |
||
| 753 |
_c _c _a |
||
| 767 |
_t _t _w |
||
| 770 |
_t _t _w _x |
||
| 773 |
_a _a _d _g _m _t _b _v _i _p |
||
| 775 |
_t _t _w _x |
||
| 776 |
_s _s _a _dNew York, NY : Oxford University Press, 2023 _b[1.] _z9780190661991 _iOnline version: _tOxford handbook of music in China and the Chinese diaspora _x _h _c _w(DLC) 2022045587 |
||
| 780 |
_x _x _a _g _t _w |
||
| 785 |
_t _t _w _a _x |
||
| 787 |
_x _x _d _g _i _t _w |
||
| 800 |
_a _a _d _l _f _t0 _q _v |
||
| 810 |
_a _a _b _f _t _q _v |
||
| 830 |
_x _x _aOxford handbooks. _p _n _l _0http://id.loc.gov/authorities/names/no2004072859 _v |
||
| 942 |
_a _alcc _cBK |
||
| 999 |
_c8661 _d8661 |
||