4 0
The Rhetoric of the Paneled Page: Comics and Composition Pedagogy. 6 6 - - - - - - - - . - . - 0 . - . - 0 .
ABSTRACT : While comics have received widespread acceptance as a literary genre, instructors and scholars in Rhetoric and Composition have been slower to adopt comics, largely because of a lingering difficulty understanding how the characteristics of the form relate to our work in the classroom. Using as guides the WPA Outcomes Statement for First-Year Writing, and the NCTE Position Statement on Multimodal Literacies, this essay seeks to establish the conditions necessary for a pedagogically sound, functional use of comics in composition instruction, not only in readings and textbooks but also in practice.
5
5
2 = =
2
2 --0------
6 --0-- 2 --------
0 2 --
--20------
Teaching;Comic ------Writing.;Rhetoric.----
--------20--
----2
/ 2
/ 2
/
/
The Rhetoric of the Paneled Page: Comics and Composition Pedagogy. 6 6 - - - - - - - - . - . - 0 . - . - 0 .
ABSTRACT : While comics have received widespread acceptance as a literary genre, instructors and scholars in Rhetoric and Composition have been slower to adopt comics, largely because of a lingering difficulty understanding how the characteristics of the form relate to our work in the classroom. Using as guides the WPA Outcomes Statement for First-Year Writing, and the NCTE Position Statement on Multimodal Literacies, this essay seeks to establish the conditions necessary for a pedagogically sound, functional use of comics in composition instruction, not only in readings and textbooks but also in practice.
5
5
2 = =
2
2 --0------
6 --0-- 2 --------
0 2 --
--20------
Teaching;Comic ------Writing.;Rhetoric.----
--------20--
----2
/ 2
/ 2
/
/